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The Basics of Using Photoshop

When first loading up Photoshop, you’ll need to select where you would like to save the file, as well as its name. Next, you will be asked to set the resolution to what you want the image to be. The final step is to select the location of the file. (On a Mac, you will notice a folder on your desktop.)

The Essential Uses of Photoshop

Photoshop uses layers (also referred to as masks) to manipulate an image. Photoshop’s default save mode is “Save for Web and Devices,” which enables the creation of a web-ready image, as well as a choice of different resolutions for different types of devices.

Creating Layers

To make changes to an image, you’ll need to add a layer and use a selection tool to draw the layer over the image.

Create a new file in Photoshop. Click on File>New. Select “Photoshop File (PSD).” Select a resolution of your choosing, for example 5,000 x 5,000 pixels. Click OK. Name your file, for example “IMG_FILE.psd” and then save it to the location of your choosing.

Adding a Background

Click on Layer>New>Background. Click on the color picker. You can use the radio buttons to change the color. Click on the background of the image. Create a new layer. With the background layer selected, select the Brush tool and then click in the area you want the background to show.

Adding Text

Click on Layer>New>Text. Click on the color picker. Select the font, size, and color you like. To move the text, click in the text box and drag it to the location you want.

Adding a Logo

Click on Layer>New>Art. Select the logo you want to add. Click on the color picker and choose the color you like. Select the Brush tool. Right-click on the layer and create a new clipping mask. To move the logo, click in the design area and drag it to the position you want. Now that you are finished adding the logo, double-click on the layer to close it.

Adding an Overlay

To add an overlay to an image, click on Layer>New>Overlay. Click on the color picker. Select the color you like. Click on the layer

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Learn how to edit photos in Photoshop Elements

You can edit images in Photoshop Elements in 3 different ways:

1. Using the program’s built-in editing features

2. Using the graphics tablet

3. Using the Image Processor

Photoshop Elements uses an internal image editor for basic photo editing tasks. You can access this editor by clicking the Edit button, located at the top of the Edit Menu.

The Edit Menu includes the following options:

Edit Menu

Image Adjustments


Selective Color






Customize Image




Mirror Image


Bilinear Filtering

Adjust Sharpness

Adjust Lighting

Change Hue

Change Saturation

Change Contrast

Adjust Brightness


Dodge and Burn

Flood Mask


You can use the Photoshop Elements editor to edit your images. It includes crop, resize and rotate tools. You can also use tools like Gradient Map, Brush, and Filter Gallery for creating images. However, you’ll need to use the graphics tablet or your mouse to perform many tasks.

Photoshop Elements is easier to use than Photoshop. It includes tools that give you the ability to edit an image by activating an area of the image that you select, rather than editing an image by manipulating individual pixels.

To crop an image in Photoshop Elements, follow these steps:

Open the image and select the Crop tool from the toolbar, located at the bottom-left of the screen. Set the Crop tool’s options as follows: Set the Crop tool’s border to a type, as shown in the image below. Then select the area outside of the selected border, or crop the image as desired.

Drag the border around the image to crop the image into a square or rectangle.

Click the Done button to crop the image.

To resize a photo in Photoshop Elements, follow these steps:

Open the image and select the Resize tool from the toolbar, located at the bottom-left of the screen. Set the Resize tool’s options as follows: Set the Resize tool’s border to a type, as shown in the image below. Then select the area outside of

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The opening of the Leeds cycle superhighway has gone smoothly for many people. However, for others, it has been more problematic.

The new cycle route was opened to the public at the weekend and held open for cyclists, shoppers and drivers until this week (Wednesday).

The arterial route near the head of the city serves as a vital link in West Yorkshire and north-west Leeds, connecting the planned flagship superhighway with the city centre and continuing out to Thorpe Park via Stirling.

As motorways have become a feature of the world’s freeways, cyclists have become more reluctant to use them.


The superhighway is a concept by the Go West Leeds transport partnership that aims to link areas of the city beyond those reached by the existing pedestrian and cycle superhighway.

A cycling campaign in July this year launched the superhighway and said it would get more people cycling and “help alleviate traffic”.

Two key aspects are being highlighted – even though there are no official signs, to the public it must look like a route through the city and it will encourage more people to cycle.

But for some local people, it’s been a lot more problematic than they initially anticipated.

‘It’s dangerous!’

Louise Diggle said that while she was keen to support the cycle superhighway, she was less keen about the route that’s been opened.

“It’s in a road with cars and buses and it’s a seven-and-a-half-mile journey there and back,” she said.

“We know there is a new crossing at the end of the high street – but there are pedestrian crossings there too – and you have to stop and wait.

“It’s dangerous!

“There’s a lot of traffic and it’s very bad for cyclists and pedestrians.”

Mrs Diggle said she would prefer to cycle to a dedicated cycle lane through town than the superhighway route.

The first part of the cycle superhighway on the Monk Bar Road has been a difficult one and for some people, it’s been even more problematic.

Libby Leslie, from Leeds, said that the route had been in a desolate state following some bad weather in December.

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Interaction of penicillins and beta-lactamase inhibitors with L-form bacteria.
There is increasing evidence that many ‘L-form’ organisms, which give an L-form reaction in the presence of cephaloridine or nalidixic acid, may produce resistant staphylococci. Such organisms have lost membrane vesicles, outer membrane proteins, and L-forms have been shown inducible in the presence of penicillin. We used antimicrobial susceptibility tests with some L-form induction systems to investigate interaction of penicillins and L-form bacteria. Both cephaloridine and nalidixic acid, which are inhibitors of the outer membrane target, were susceptible to penicillin in all strains tested, except one inducible strain. This strain produced a penicillin-resistant phenotype with an ED50 > or = 4 micrograms/ml. TEM showed that this strain produced a heterogeneous population of bacilli with intact, usually smooth-surfaced outer membranes, but without staphylococcal cell wall. Penicillin produced strong cell wall lysis with an ED50 of 0.6 microgram/ml and this correlated with a strong cell wall L-form reaction in the same cell suspension. This cell wall lysis was followed by a slow (4 h) and partial lysis of intracellular contents, resulting in an approximately 50% colony-forming efficiency (p < 0.01). Penicillin resistance was present in the majority of supernatants, indicating that some penicillin was present in the lysates and that the lysis was not inhibitory to beta-lactamase activity. Cephaloridine and nalidixic acid, however, were only weakly inhibited by penicillin (IC50 of 8 and 8.5 micrograms/ml, respectively). Penicillin-induced cell wall lysis in this strain was not inhibited by cephaloridine, nalidixic acid or TEM (phenylglycine-CH2OH). There was a good correlation between the penicillin susceptibility of L-form cells in a cell suspension and their susceptibility in the presence of penicillin (r = 0.92). However, in the presence of nalidixic acid or cephaloridine, growth was inhibited without cell wall lysis in most cases, indicating that this strain of staphylococcus has a low

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